Guitarist Ed DeGenaro's latest release, Less Is Seldom More (Unfretted Records), is a perfect follow-up to his 2007 disc Dog House.
While the two albums share many of the same qualities (largely gapless
playback, an eclectic mix of styles, etc), DeGenaro pushes the "avant-garde fusion" envelope a bit further with this new disc, and enlists an
awe-inspiring lineup of musicians to help him do it.
Most
people probably associate DeGenaro with fretless guitar, which is
understandable; he is widely heralded for his great work on that
instrument. But while there is plenty of fretless playing on Less Is Seldom More,
DeGenaro
doesn't beat you over the head with it; his approach with the fretless,
at least on this recording, is usually subtle. In the hands of most
players, the
fretless guitar sounds like an untame-able beast. Even the simplest
phrase with no slides will give it away, because they just don't have
the touch to keep it in tune, and in control. In DeGenaro's hands,
however, you usually can't tell it's a fretless until he wants you to.
In other words, he uses the instrument for it's unique ability to extend your
own inflections and dynamics, rather than exploiting it as a novelty.
Less Is Seldom More
is largely a collaborative effort between DeGenaro and
producer/composer Chris Taylor. Taylor wrote or co-wrote most of the
songs, and also contributes keyboards, guitars, and some programming (Taylor was involved with Dog House as well, but to
a lesser extent). The list of guest musicians on this disc is as
impressive as it is extensive. Along for the ride are Dave Weckl, Joel
Rosenblatt, and Marco Minnemann on drums, Ric Fierabracci and Trip
Wamsley on bass,
George Whitty on organ, Matte Henderson and fusion legend Ray Gomez on
guitar, and several others. Similarly to Dog House, Less Is Seldom
More feels like one continuous fusion piece that shifts through many
moods and styles. Some of those moods are more traditional than others,
but throughout the disc, DeGenaro's creativity and musicianship are
loud and clear.
After a snappy blues guitar "Intro," things
kick into high gear with "Avenue D" - a hard driving jazz fusion tune
with great solos by Whitty, Fierabracci, and of course DeGenaro. Even
though this piece is loaded with, effects and edits, it ends
up being one of the more traditional-sounding songs on the album.
The
next four tracks ("Monkey Bawls Utility," "Utilitarian Research Jam,"
"Matte's Bible Camp," and "Confirm Walk Forward") provide the first
foray into what I would call "avant-garde" fusion. DeGenaro takes an
"everything but the kitchen sink" approach with some of these pieces,
throwing in lots of mood shifts, instrumentation changes, you
name it. There are occasionally heavy riffs and sheets-of-sound
shredding, but there's a lot of sonic experimentation as well. I particularly
like "Utilitarian Research Jam," which has a Zappa-like quality in it's
melodies. The slowly-building ballad "Matte's Bible Camp" (written by
Matte Henderson) is a great piece as well. The vocals that
comprise one of the main themes are almost creepy, especially when they
are first introduced at the beginning. Talk about evoking a mood. These
four songs illustrate what's great about the album as a whole - it's a
refreshing change from a typical "fusion" album that will have a
set
instrumentation and band that varies little from the first song to the
last.
"Prayer" and "Joe Z" both feature Ray Gomez guesting on
guitar, but they are actually one continuous piece split into two
tracks on the disc. DeGenaro recorded "Joe Z" (written by Taylor as an
homage to Weather Report founder Joe Zawinul) on his Dog House album as well. This new version is a bit more guitar-centric, and has less of the Indian quality that was prevalent on the Dog House version.
Gomez sounds great here. The guy is an old pro who's been around a long
time; his lengthy list of recordings includes the 1976 Stanley Clarke
album School Days - a fusion classic. What a great player.
DeGenaro
loves to shift moods on you, as evidenced by the next track - the
Buckethead-like "Yes Man." This heavy tune is an incredible chops
showcase for both DeGenaro and guitarist Matte Henderson (who also wrote the song). It
also features some nice fretless work during the outro. The proceedings
turn on a dime again with the fast country tune "Neck Bone," which has
DeGenaro showing off his prodigious picking skills.
DeGenaro
also includes a version of the Robben Ford tune "The Brother (For
Jimmie & Stevie)." Ford recorded the original in 1992 as a tribute
to Jimmie and Stevie Ray Vaughan. DeGenaro's version adds a heavy intro
with some spoken-word samples, but leaves the rest of the tune's
structure largely intact (except for some hide-the-downbeat monkey
business). It also has some of DeGenaro's best blues playing on the
album.
After a quick Tribal Tech-style piece called "One,"
DeGenaro launches into "Southern Flyer." This in an instrumental rock
tune written by John Czajkowski (Hectic Watermelon), and is clearly the
most straightforward track on the disc. I love the wide interval melody
on this song, and the solo section which has DeGenaro trading off with
guitarist Dave Simpson. George Whitty's organ playing gives the song a
Deep Purple sort of vibe as well.
Since the album opens with "Intro," it's only natural that it closes with "Outro" - a beautiful piece of acoustic blues improv. Less Is Seldom More
is another illustration of DeGenaro's great
strength: his ability to mix a wide variety of styles under the banner
of instrumental fusion. Jazz, metal, country, blues, electronica, it's
all here, done with an experimental adventurousness that few musicians
posses. The common thread through it all is DeGenaro's great guitar
work. Whether he's playing fretless or fretted guitars, guitar synth,
acoustics, etc, DeGenaro's killer playing is well represented
throughout the entire disc. Great stuff.
Ed DeGenaro - Less Is Seldom More
Personnel:
Ed DeGenaro (guitar/fretless guitar/guitar synth)
Ray Gomez
(guitar) 7, 8
Chris Taylor (keys/guitar/programming) 2, 3, 4, 6, 7, 8, 11, 12
Dave Weckl (drums) 3, 4
Ric
Fierabracci (bass) 2, 3, 4, 6, 7, 8
Marco Minnemann (drums) 9, 10, 11, 12, 13
George Whitty (organ) 2, 13
Joel Rosenblatt (drums) 7, 8
Matte Henderson (keys/guitar/programming) 5, 9
Trip Wamsley (bass) 11, 12, 13
Satish (trumpet) 2
Ezekiel Trosper (bass) 10
Dave Simpson (guitar) 13
Gwen Snyder (vocal) 5
Tracklisting:
1. Intro
2. Avenue D
3. Monkey Bawls Utility
4. Utilitarian Research Jam
5. Matte's Bible Camp
6. Confirm Walk Forward
7. Prayer
8. Joe Z
9. Yes Man
10. Neck Bone
11. The Brother (for Jimmie & Stevie)
12. One
13. Southern Flyer
14. Outro
Rich
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